Star Fluxx: The Ever-Changing Card Game... In Space!

In our last post we mentioned some of the games we have our reviewing eyes on for the coming weeks.  Well since then we've actually managed to get our filthy mitts on a few more games to add to our ever-growing review pile, so we thought we'd start the ball rolling with something nice and casual; Star Fluxx, from Looney Labs.

 

 

Star Fluxx is one of the most recent additions to Looney Labs' flagship card game, and in a similar manner to Zombie Fluxx or Pirate Fluxx, it follows a genre as a whole, rather than carrying the licence of a specific franchise (as with Monty Python Fluxx).  At its core it still runs off the same rules and mechanics of the original Fluxx, and so in this review we'll be focusing on the Star Fluxx-specific themes and new mechanics, rather than giving our usual walkthrough of the basic rules.  For those unfamiliar with Fluxx as a whole, our review of Monty Python Fluxx addresses the overall gameplay.

 

So as we mentioned, Star Fluxx covers a theme rather than a franchise, and (as you may have already guessed) that theme is science fiction films and television shows.  However, Looney Labs haven't let the absence of a franchise licence impede their choice of themed cards, and they've cleverly found ways to fit some of the most popular films/shows into the deck...

 

 

When releasing any product based on big cult sci-fi series, most fans would probably be that one of the big two has to be Star Trek.  Without making any specific references to any of the series or films, Star Fluxx has managed to make enough references to this cornerstone of the sci-fi world to keep fans happy.  The typical starship crew is all present and accounted for on the Keeper front, with The Captain, The Engineer, The Scientist, The Doctor, and even the Expendable Crewman - who must be the first to 'die' should an opponent ever steal or force a player to discard one of their keepers.  The Cute Fuzzy Alien Creature (a Games & Tea favourite) is a clear reference to the troublesome tribbles from the original series of Star Trek, spending the game happily wandering around the tabletop, and never going into the discard pile.  On top of these there are Goals such as Landing Party and Seeking New Civilizations, and Actions such as Beam Us Up!, which also represent their chosen franchise to varying degrees.

 

 

The other of the big two has, of course, to be Star Wars, and is also represented in force (see what we did there?) in the deck.  Whilst not as Keeper-heavy as their Star Trek counterparts, there are some wonderful Star Wars references amongst the goals in particular, such as The Power of the Dark Side, These Aren't the Droids... and That's No Moon... whilst the likes of Laser Sword and Unseen Force bulk out the Keeper pile, and Admiral Ackbar's infamous "It's a trap!" exclamation is represented by the Surprise card It's a Trap! (surprisingly!).

 

 

Whilst those two certainly make up the majority of the themed cards in Star Fluxx, there are a number of other franchises which make their way into the deck...

 

 



 

Fans of British science fiction will be pleased to see Douglas Adams' The Hitchhikers Guide to the Galaxy represented (albeit lightly) by Forty-Two, The Intergalactic Travel Guide and I'm Depressed, whilst ongoing hit Doctor Who has a handful of cards in the shape of Time Traveler, What Doctor? Where? and the slightly more subtle Sonic Sledgehammer.

 

 

There are a few cards representing some of the older classics of the sci-fi world, such as the two above which represent the old Lost in Space series, and The Monolith flying the flag for 2001: A Space Odyssey.

In addition to these franchise-specific cards, Star Fluxx also features a lot of generic sci-fi cards, including laser pistols, space stations, moons, and alien cities, so even players who aren't too savvy on these franchises can still enjoy a decent little sci-fi game.

 

One of the interesting additions to Star Fluxx over Looney Lab's previous instalments, is the wider introduction of special abilities on Keepers.  This was touched on lightly in Monty Python Fluxx and Zombie Fluxx, but with Star Fluxx they've quite happily run with the idea and pushed the boundaries a little.  The Captain allows players to steal other crew members from their opponents, the Laser Pistol allows players to kill Creepers, and the Holographic Projection even allows players to win the game using their opponents' Keepers!  The expansion of this mechanic causes Star Fluxx to lose some of the more casual nature of its predecessors, but in return it becomes a slightly more tactical game, and here at Games & Tea we found the exchange to be a favourable one.

 

 

Creepers are back again, having been standard fare since Monty Python, although in far fewer numbers than the colossal Zombie Fluxx.  Star Fluxx has introduced a new mechanic with it's Creepers though, by causing them to attach to Keepers and remain with them until discarded.  For example, the Brain Parasites above attach themselves to any Keeper with a brain...

 

 

...so as soon as something like the Bug-Eyed Monster becomes available, the Brain Parasites attach straight onto it, neutralise any abilities of that Keeper, and remain attached.  This further increases the tactical element of Star Fluxx, by effectively taking some Goals out of the equation, making players think more cautiously about the order in which they play their cards, and making some Keepers prime targets for discarding or giving away to opponents.

 

Surprise!

 

There's one additional card type which we need to mention; the Surprise card.

 

 

These were first introduced in Pirate Fluxx (which we will be reviewing in due course), and make their return here.  Whilst they work the same way as Action cards in the players' own turns, Surprise cards are the first Fluxx cards which can also be played in an opponent's turn.  These can be used to cancel Actions, to remove a Goal, or to prevent Keepers from being stolen.  These don't so much increase the strategic edge in the same way that the previously mentioned mechanics do, but instead are more about increasing the length of the game.  This may prove to be a divisive idea, as casual games like Fluxx are often prized for their shorter length, so whilst hardcore fans may enjoy longer games, less committed players may find these to be something of a drag.

 

The Good Points

• Each card tells the player exactly what they have to do with it, and so it's a very fast game to pick up.
• It's a nice compact game, and can easily be taken to a park or pub to play with friends.  Nothing is needed except for the cards in the deck.
• There are enough franchises references in Star Fluxx to keep most sci-fi fans happy.
• Star Fluxx is a little bit more tactical than previous Fluxx incarnations, which may be able to sway the opinions of some of its critics.
• With the right number of players it's quite a quick game to play, and is good to wrap up a heavy gaming session.

The Bad Points

• Whilst slightly more tactical than other Fluxxes, Star Fluxx is still largely a game of chance, and this luck-based system will not appeal to all.
• There simply aren't enough cards in the deck to cater to all franchises, and fans of some series (such as Battlestar Galactica or Buck Rogers to name but two) may feel a little bit cheated.

Recommended Number of Players: 3

Fluxx decks are always good wind-up or wind-down games on any gaming nights.  Star Fluxx loses a little of the fun with just 2 players, but with 4 or more (the box advertises 2-6) it can start to drag on as players forget their own Goals and desperately vie to just keep eachother from winning.

 

Average Game Time: 20 minutes

Star Fluxx is difficult to put an average game time on due to its random and unpredictable nature.  We've played games which have been over in a matter of minutes, and some which have gone on for over an hour.  20 minutes is a good, solid, average time though.

 

Replay Value: High

Star Fluxx is a good game, and not overly long.  It's appealing theme and wide range of franchises make it enjoyable to go back to, and it's probably the most-played of all the Fluxx decks here at Games & Tea.

 

The Future: n/a

Each version of Fluxx is its own game, and as such the contents of the box are all you'll ever get of Star Fluxx.  However if you've enjoyed the mechanic then there are several other themed Fluxx sets to choose from, including Zombie Fluxx, Oz Fluzz, Martian Fluxx, Cthulhu Fluxx and Stoner Fluxx.

 

Price: £12

Star Fluxx will set you back roughly £12, which is a thoroughly decent price for a stand-alone card game.  The various Fluxx sets seem to be standard fare in most specialist game shops, so even if they don't have the set you're after then they should be able to get their hands on it quickly.

 

 

 

OVERALL SCORE: 9/10

 

If you enjoyed this article and want to see more of the same, come and like us on our Facebook page to keep up to date with our reviews, as well as our general day-to-day ramblings!

Coming up soon...

Good evening, ladies and gentlegamers!  It's been a couple of busy weeks outside of the world of board gaming.  We've been re-discovering our tabletop love, swelling our Khador ranks in Privateer Press' Warmachine, picking up the Children of December crew for Wyrd Miniatures' Malifaux, picking up some more Batman goodness for Knight Models' Arkham City, and picking up a sizeable beginner force of Brotherhood for Prodos Games' Mutant Chronicles Warzone Resurrection!  Yep, all in all it's been a fairly crazy couple of hobby weeks!

 

Will we be writing up blog entries about any of these systems?  We will not.  Our original mission statement was to make Games & Tea a board/card game blog, and that's exactly how we intend to stay.  If you are interested in reading about any of the above systems, then we'd thoroughly recommend checking out our good friends over at The Hobbynomicon, as they're much more into the tabletop scene than we are.

 

Our rediscovery of all things tabletop has not caused our board game love to wane in the slightest, however, and even though it's been a good few weeks since our last review (the wonderfully non-PC Cards Against Humanity), we just wanted to reassure our readers that we have a whole host of wonderful things to bring you in the world of reviews...

 

 

The most recent addition to our review stack is Fantasy Flight's Arkham Horror, a classic Lovecraftian game and staple of many gamers' collections.  We may be late to the party with this one, but we're certainly looking forward to bringing you our thoughts on it.

 

 

Next up we have Star Fluxx from Looney Labs.  In the past we've brought you reviews on Zombie Fluxx and Monty Python Fluxx, and anyone who's read these will know that we have a bit of a soft spot for what is ultimately one of the Marmites of the gaming community.  Unlike some of its predecessors, Star Fluxx does not fit a specific theme, but instead touches on the sci-fi genre as a whole, and we'll be talking to you soon about just how well Looney Labs have managed to pull that off.

 

 

Sticking with the sci-fi theme for the moment, we have our review of Wizkids Star Trek Attack Wing to bring you.  This game is built around Fantasy Flight's Flightpath system, developed for their Star Wars: X-Wing Miniatures Game, and so the two play very similar.  In order to include some of the technologies from the Star Trek universe however, the gameplay has been tweaked slightly.  We concluded that X-Wing plays nicely as a game straight out of the box, so stay tuned to see whether or not Star Trek Attack Wing manages the same feat!

 

 

And finally, the game we're most excited about: Mantic Games' Deadzone.  This is fresh from Kickstarter, and due to arrive with us at the end of the month, courtesy of our FLGS Titan Games.  Deadzone, whilst really more of a tabletop system, looks set to bridge the gap between board game and tabletop wargame with it's fluid mechanics and complete starter box.  Much like with Wyrd Miniatures' Puppet Wars, we'll be looking at this with a board gamer's eye and seeing if it plays well straight out of the box, or if it needs to be augmented with further purchases.

 

So that's what you can expect from Games & Tea in the coming months!  On top of this there will be the continuation of the Diary of a Roleplay Beginner, with the introduction to a second roleplay system set to stir things up on that front in a few weeks!

 

For now though, we hope you're still enjoying Games & Tea, and happy gaming!

Gamers vs Hellfire: Emergency Fund Raiser

One thing we never wanted to do with Games & Tea was to turn it into a great big advertising board.  We enjoy playing games, and we'll talk honestly about our opinions on them, and leave it up to our readers whether they want to check these games out or not.  What we'll never do is shamelessly plug a game for no good reason, or flat out tell you "please buy this!" - that's quite simply not who we are.

 

However, we are going to bend that rule slightly on this occasion, and it's purely for a really good cause.

The folks over at StoryWeaver have put together a bundle of one of their flagship RPG products - Rapture - to help raise money for the Bush Fire Appeal, working to combat the devastation caused by the bush fires in Australia.  This bundle contains $52 worth of RPG product, and is being sold as a special offer for just $10 here, with 100% of the proceeds going to the appeal.

 

Of course it'd be nice if folks just blindly threw their $10 in for the good cause, but it's only human to want to know what you're spending your money on.  Here at Games & Tea we still haven't had a crack at Rapture yet, seeing as we're still dipping our toes into the roleplay water with Privateer Press' Iron Kingd.oms, but our friends over at our favourite hobby blog The Hobbynomicon have been trying it out, and The CausticTriton's thoughts on the system can be found in one of their articles here.

And if you still need convincing, here's a video review on the system from Let's Level Up
 

So that's our little advertisement/charity drive over with.  If you're a roleplay fan and fancy trying out a new system, then why not gamble 10 measly dollars and support a good cause whilst you're at it?  You might just feel all warm and fuzzy inside.

Diary of a Roleplay Beginner #3: LET'S GET READY TO RUMBLE!!!

This diary entry is perhaps a little bit overdue, being a good couple of weeks after my last roleplay session, but there are two reasons behind this gap.  The first is a simple matter of time contstraints; it's been a busy couple of weeks (hence the long silence on the review front), and the roleplay diary was in a perpetual state of being on the back-burner.  The second is that emotions were running quite high amongst a few of the group's participants after the last session, and I didn't want to start posting things to Games & Tea until I'd had some time to look back on them with a clear head.

 

 

But I fear I'm getting ahead of myself!  In the last entry I mentioned how much I'd enjoyed taking part in my first roleplay session - a purely narrative experience - and how I was looking forward to my first taste of combat in the next session.

 

The first major difference between a combat session and a narrative session is the tabletop element of gameplay.  Now from what I've gathered as a novice overhearing talk of other systems, this does vary from one roleplay to the next.  However, only having experienced Privateer Press' Iron Kingdoms thus far, I can only comment on its mechanic.  With the combat system represented by miniatures on a tabletop laid out by the Game Master, each player needs to provide a miniature to represent their character, allowing everyone to keep track of their place in the action.

Finding a miniature for my character proved to be trickier than expected.  Being a Gun Mage/Rifleman I obviously needed it to be a male character with a long rifle, but with my character's backstory being one of 25 years of mercenary work, I particularly wanted a model which looked like it was not to be trifled with.  The obvious answer would have been Kell Bailoch from the Mercenaries range of PP's Warmachine, having a grizzled look, a long rifle, and even an armoured greatcoat just like my character.

 

 

In fact the model was, frankly, perfect for the part.  If anything it was too perfect, and upon inspection I decided he was a little bit too grizzled, and I'd rather go for someone with perhaps a few less scars and a slightly more sinister look to him...

 

...and so I said farewell to Kell Bailoch, and hello to Lazar Grigsov; a Khadoran rifleman from the actual Iron Kingdoms miniatures range.  Aside from the cloak instead of the greatcoat, Grigsov fit the bill just as well, and had a little bit more of an edge in my opinion.  After speaking with the GM the "artistic licence" card was played, and I happily went ahead and ordered him in.

Sadly the miniatures range from Iron Kingdoms has been discontinued, so I had to pick him up from an eBay seller in the US, and as a result he didn't arrive in time for the required session (in fact just to rub it in, he arrived the following day!).  However, the GM knew I was waiting for my model's arrival, and so he approved my choice of proxy model...

 

 

Yes, I went with Batman, from Knight Models' Arkham City tabletop system.  Now at this point I should mention that it's fairly common courtesy to play WYSIWYG - or as close as you can get - with roleplay models.  It helps to keep track of which characters are where, and it creates an altogether more involving experience.  With this in mind I wouldn't recommend to any beginner to just show up with such a drastically out-of-character model, but in this case it was actually something of an in-joke amongst our roleplay group, and so the GM gave it his blessing for this one session :)

 

Anyway, I'm getting slightly carried away with the miniature selection aspect of the game!  With my far-from-obvious Gun Mage/Rifleman chosen, I turned up for our session, ordered myself some Chinese food and we all got started...

 

The session began with us all preparing to enter the town's sewer system, hot on the trail of the missing arcanist we'd been scouring the town for in our previous session.  We all knew there'd be something nasty awaiting us down beneath the city's streets, but in spite of a fortnight's guesswork, no one quite managed to anticipate quite what that something would be.

...well

...almost no one ;)

 

As it turned out, during a chat on Facebook the GM let me know about what we'd be facing, on account of the fact that I'd be getting snatched by one of them at some point in the adventure!  For those familiar with Iron Kingdoms, we were facing up against Thrullgs.  For those unfamiliar, we were facing up against 10-foot tall, hulking, purple, tentacly monsters which prey upon magic users.  Obviously I had to keep this information to myself, and it did feel very good to know that the GM had faith in me to keep this nugget from the rest of the group.  At this point you might be wondering why he clued me in at all, but it makes perfect sense as it was my responsibility to describe these big tentacle monsters to the rest of the group after the event.  I did have a good laugh to myself at one point in the days leading up to the session, when two of the group started speaking to me about their theories regarding our imminent enemies, to which I just had to smile and nod and pretend I was as clueless as they were!

 

Anyway, I'm digressing again!  We entered the sewers with a couple of NPCs to carry on our search for this arcanist chap.  Now even though this was my second session, this was a slightly new experience for me in comparison to the previous outing.  In our last session we were splitting up and searching different areas of town, whereas down in the sewers we were working together as a single group.  This made me feel quite at ease, as it meant that I could tag along for a while at the back of the pack, waiting until I found my novice roleplay feet again!  Being one of only two characters with a rope and grappling hook, I was called upon quite early on which kept me feeling part of the team, but aside from that I was able to just sit back for a while and let the more experienced players guide the action.

In all honesty I did find navigating around the sewers a bit of a struggle.  I've always had a problem creating mental images of locations, whether it's a passage in a book or someone verbally trying to set a scene.  As a result, in spite of some good descriptive work from the GM, I really couldn't picture the location we were searching, and so sometimes needed a bit of prompting from the other players (a perfect example was an occasion I neglected to investigate a balcony, on account of the fact I forgot it was there!).

After we'd done some solid investigative work, and I'd failed rather spectacularly on some skill-based dice-rolling, we began backtracking the sewers when suddenly...

 

 

"You hear a scream.  Rob's no longer there."  I have to confess to a smug little grin at these words from the GM.  Okay, my character's life was suddenly in danger, but I was hit by this wonderful feeling of "Yep, I knew this was coming.  Now who's going to throw themselves in to help me out?"  As it turned out, most of the group suddenly rounded on the unfortunate Thrullg, and it quickly dropped me and fled deeper into the sewers.  I recovered my rifles which had been picked up by one of the NPCs, drew my magelock rifle (the heavy-hitter of the two), and it was time for us to get stuck in!

 

We all gathered around the sewer layout which had been pre-prepared for us, arranged our miniatures, and then started to spread out.  At this point there were no enemies around, so we were very much scouting the area.  Being a ranged attacker my first instinct was to get to an elevated position to sweep the area, and so along with two other party members that was exactly what I did.  Although I still feel out of my depth from time to time in the narrative element of roleplaying, I'd customised my characters skills and loadout very specifically, so when it cam to combat I knew exactly what I wanted to be doing, and so wasn't afraid to head out and get started.

As it turned out we didn't encounter our first enemy for a few activation turns, spending a few minutes pursuing a ghost around the sewers instead!  The ghost soon vanished though, leaving a Thrullg in its wake, and me with a nice juicy target.  One of the interesting things about combat in a roleplay is making sure that you look at things from your character's perspective rather than your own.  Obviously you can see everything that's going on across the entire field of battle, but your character can only see in front of his or herself.  Obviously the GM can override the decisions of any player who ignores this fact, but if all players respect it and work to it anyway then it just makes for a much smoother-flowing game.  In fact when that first enemy appeared I actually had my back to it, but it was a warning shouted by another party member which alerted me to it and allowed me to move my miniature into a better firing position.

I won't go into too much detail about the combat itself, but I can confirm I had some abysmal dice-rolling luck to begin with (three 1's off three dice is pretty poor!), but once I switched dice (any experienced tabletop gamer can confirm the validity of this tactic) things started to change, and I was able to make the kill-shot on two of the three Thrullgs.  I like to think that my character was so enraged at their audacity of trying to grab him that he went on a kill-spree worthy of Schwarzenegger.  The experience was a very good one in the way that we worked together.  Once I cottoned onto the fact that they were attracted to the nearest magic user I stowed my magelock rifle and switched to a bog-standard repeater, allowing me to keep dealing damage as another mage kept it distracted with a sustained fire spell.

 

With the beasties all subdued, the ghost was chased into another room, with some cracking roleplaying by two of the group - a warrior priest who was hell-bent on destroying the ghost, which he saw as an abomination, and another mercenary-type who was trying to bring the priest under control.  The exchange between them was frankly a masterclass of how to stay in character, and made a fantastic bit of entertainment for the end of the session.

The ghost turned out to be that of the arcanist we were searching for, and we soon left the sewers, reported back to our employer, and then wrapped the session up ready for next time.

At the end of the session the GM rewarded us all with some XP, allowing us to develop new skills or learn new spells.  Now whilst the rulebook itself gives a wide berth on this front, the GM insisted that any new skills had to be justified.  For example, a character who spent an entire session swimming won't have suddenly learned the skills needed for rock-climbing.  Or a character who has thrown themselves into combat all evening won't suddenly be a master of seduction.  We were only allowed to learn new skills relevant to our experience, and I thought this was a great way to ensure even character development.

 

At the beginning of this entry I mentioned emotions running high.  As much as I'd like to say this was because of intense gameplay or something along those lines, the sad truth is that it was down to something of a mixed session.  The ongoing story is still good, and the combat was a lot of fun, but this was my first experience of how other players can create a negative effect on the gameplay as a whole.  There was certainly a lot of good gameplay going on, but it was let down by some instances of someone actually taking issue with others for acting in character, some acting out of character entirely, some poor roleplaying which slowed the pace of the game, and some attempts by one player to dictate the actions of everyone else.

All in all it was still a very enjoyable evening, but it did definitely give me my first glimpse into the potential for a more negative experience.

 

But I'm certainly not going to lose faith at all!  I'm still loving Iron Kingdoms as a whole and our campaign in particular.  My Lazar Grigsov miniature is now painted up and ready to go for the next session, so hopefully I'll be able to report back in a few days about how things are going!

 

 

Cards Against Humanity: A Party Game For Horrible People (UK Edition)

WARNING!

 

This review features subjects which may cause offence.  If you are easily offended by ANYTHING then for the love of God stop reading now!!!

 

So far at Games & Tea we've stuck very closely to non-offensive games.  Certainly most specialist games do tend to have complicated rule sets which can make them largely inaccessible to younger players, but with enough time and teaching they can plausibly be enjoyed by the entire family.  Every now and then, however, a game comes along which is undeniably for adults only, and it's with utmost pleasure that we're able to bring you a review of the newly-released (and long-awaited) UK Edition of Cards Against Humanity, a party game for 4 or more people.

 



Because horrible people like parties too.

 

Cards Against Humanity is a Kickstarter success story, and has found itself a very strong fanbase thanks to its wickedly dark sense of humour and very basic game mechanic.  The box itself features no unnecessary ornamentation; what you see on the box is exactly what you'll find inside the box.  This is a party game for horrible people, and as long as you have a dark and twisted sense of humour and can make a joke out of any subject, you'll fit right in.  If, on the other hand, there is ANY subject at all which you find too sensitive, then it's best to steer clear, because the odds are it features somewhere in this game!

 

But we're getting ahead of ourselves.  Upon opening the box, players will be greeted by a short rules card, and a rather generously-sized stack of cards; 90 black and 460 white.  These two decks are separated out and given a decent shuffle, and then each player is dealt an opening hand of 10 white cards.  The player who most recently pooed (yes, this is an official rule) is the first player to take on the role of The Card Tsar, and the game is ready to begin.

 

 

The Card Tsar takes the top card off the black deck, and reads it out to the rest of the group.  All of these cards take the form of either a question, or a phrase where the key words have been left as blank.  Many of these questions lend themselves easily to innuendo or offense, but some are actually quite innocent at first glance, which can actually make the next part of the game that much darker.

 

 

With the question/phrase presented to the group, the other players must pick a white card from their hand as their answer, and hand the card face-down to The Card Tsar.  Once all players have submitted their responses, The Card Tsar shuffles them together and reads them aloud one by one to the group.  When all of the submitted white cards have been read out, The Card Tsar chooses their favourite, and the player who submitted that white card scores an Awesome Point.  The players then draw back up to 10 cards, and the next player to the left takes on the role of The Card Tsar for the next round.  Play continues this way until one player reaches a number of Awesome Points decided at the beginning of the game.

 

 

That's the basics of Cards Against Humanity, and it's easy to see how with such a simple mechanic it's achieved such popularity.  One of the greatest parts of the game is playing to The Card Tsar's sense of humour.  If you have a set gaming group and you're very familiar with what makes eachother tick, then you can tailor your white cards accordingly.  A card which one player may find hilarious might not make another player tick at all, so sometimes you can have an agonising wait on your hands, waiting for that perfect play.

 

 

This may be a perfect example.  Nicolas Cage has well and truly become an internet legend, and his bee-based demise in The Wicker Man is a firm favourite amongst his fans.  To someone who appreciates this, the card combination above is virtually unbeatable, but to those unfamiliar with his cult status then it would probably only cause confusion.

 

They're in his eyes.  Oh dear.

On top of this basic rule set, there are some optional house rules which can enhance gameplay, or make things a little easier for players struggling with their white cards.  A popular rule is "Rando Cardrissian", where, during each round, one white card is randomly pulled from the deck and added to the stack of answers.  This card belongs to the non-existent extra player, and if he wins the round then he scores an Awesome Point just like everyone else.  If Rando wins the game, then all of the real-life players suck.  Other rules allow for players to discard a white card if they don't understand it (but they must face the humiliation of admitting their ignorance to the group), or spend an awesome point to discard as many cards from their hand as they wish, and draw back up to 10.

 

As you can probably tell from the way we've spoken about it, we're very big fans of Cards Against Humanity, and everyone we've played it with has enjoyed it thoroughly.  However, we can't stress enough just how much this game can offend if played with the wrong crowd.  Whilst most of the black cards aren't too bad in themselves, there are a couple of risqué cards, such as "During Michael Jackson's final moments, he thought about [blank]"

The white cards, however, are where the potential for offensiveness truly lies, and where Cards Against Humanity earns its description of "a card game for horrible people".  Some of the worst white cards include "Auschwitz", "Wanking into a pool of childrens' tears", "Chunks of dead prostitute" and "AIDS" (there's a very good reason we put that warning at the front of this review).  This makes Cards Against Humanity something of a marmite game, as most people will either love the sense of humour or loathe it for being in poor taste.

 

The Good Points

• Cards Against Humanity may well be the easiest-to-learn game we've ever played.  One player poses a question, the other players answer it.  There really is nothing more to learn, so absolutely anyone with a dark sense of humour can play.
• The game is absolutely hilarious to play, and is one which you genuinely don't mind losing.  Of course it's nice to win, but Cards Against Humanity is more about laughing at the card combinations rather than fighting tooth and nail for points, which does make it a perfect party game.
• Nicolas Cage.
• Bees.

The Bad Points

• Due to the way it plays, Cards Against Humanity does need a minimum of 4 players to function smoothly, so really is more of a party game than a regular games night game (unless your games nights do actually feature 4+ people, in which case you're sorted!)
• We should mention the overall politically incorrect tone of the game; anyone easily offended will not enjoy playing.  However, on account of the warning at the top of the page, those people should have stopped reading by now, and so this point is no longer valid.

Recommended Number of Players: 4+ (The more the merrier!)

In order for The Card Tsar to have a good selection each round, Cards Against Humanity recommends a minimum of 4 players, which can be augmented with addition of Rando Cardrissian (who turns out to be an unerringly good player!).  The fantastic thing with this game is that it does improve with more players, and the best games we've played have featured 8 of us including the dastardly Rando.

 

Average Game Time: 30-90 minutes

We are giving quite a wide window here, but that's because it's hard to put an average time on Cards Against Humanity.  It entirely hinges on the number of players, and the target number of Awesome Points.  Typically at Games & Tea we play to 5 Awesome Points, and with 4-5 players this takes around 45 minutes.

 

Replayability: High

With so many cards in the set, and so many combinations available, Cards Against Humanity is extremely replayable.  Even if you reach the stage where you've seen every white card a dozen times, it's just as much fun to see someone else's reactions to the cards when you introduce them to the game for the first time.

 

The Future: Bright (or should that be dark?)

As well as having a great deal of replayability in the basic box set, there are already 3 expansions available, each featuring new black cards, new white cards, and blank cards of both colours so that players can make their own.  These are all the more fun if you have a regular gaming group, as you can personalise the set with your own in-jokes.

 

Price: £20/Free

Cards Against Humanity costs a thoroughly reasonable £20 (we'll address the "free" option in a moment), although availability is somewhat limited.  The UK Edition has only been recently released, with the original US version formerly only available from the official Cards Against Humanity website.  With the long-awaited UK release, the core game and the expansions are now all available on Amazon, but we're unaware of it being available through any other channels.

If you have the capacity for mass card printing, however, the PDF files for the entire set of cards are available to download for free from the website!  If you wish to do so, then both the US and UK versions can be found here.

 

 

 

OVERALL SCORE: 9.5/10

 

Tea consumed during this review: PG tips with milk and 2 sweeteners.  Brew rating 8/10.

 

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Showdown: Icons; A Non-Collectible Card Game From Wyrd

It's always nice when we manage to get our hands on a new release (it makes us feel like we're actually keeping on top of things for a few minutes!), especially when it's from a company who have generally found their way into our good books.  So it was with a great deal of excitement that we cracked open our copy of Showdown: Icons from Wyrd Miniatures over the past weekend and started playtesting!

 

 

Showdown: Icons is a competitive, non-collectible card game for 2 players.  This means that unlike games like, for example, Magic: The Gathering, you only need to buy the initial Showdown: Icons box and you'll have everything you ever need to play the game.  Much like the time we backed WarFields on Kickstarter, this was the initial appeal which had us leaping on the game.  We do enjoy card games here at Games & Tea, but aren't such big fans of the long, drawn-out and expensive deck-building process, which often negates the need for gameplay itself, with the winner often being decided well before the first card is even played.  Any card game where both players face off with a balanced deck and need to rely on skill (with perhaps a smattering of luck) to bring home the victory usually makes a good first impression here.

 

The first thing which you can't help but to notice about Showdown: Icons is that it's small.  Really small.  So small we actually almost looked straight past it on the shelves of our FLGS, Titan Games.  On the one hand this is does help to make the game nice and portable, and credit does have to be given to Wyrd for their maddenly efficient packaging in this respect.  On the other hand, it does leave you with an initial feeling of "Is this it?", as you sit there holding a fist-sized box for which you've just been parted from your hard-earned cash.

 

If we did a "Box Contents" entry for Showdown: Icons, this would be it.

 

Upon opening the box you'll be greeted by the sight of five decks of cards and a double-sided rules leaflet.  Now anyone who has experienced Wyrd's tabletop systems in the past will know that they have an affinity for basing their cards on a standard 54-card (including Jokers) poker deck, and they haven't broken with tradition with Showdown: Icons.  Admittedly this did lead to a minor rage outburst at first, having paid through the nose for what initially seemed to be a set of 5 poker decks.  However, it did turn out on closer inspection that there was more to Showdown: Icons than this.

 

Each deck is themed after a suit and a character from a standard playing card deck, and the boxes are decorated with some rather lavish artwork to depict these characters.  From left to right in the picture above, the decks are The Jokers, The Ace of Spades, The King of Clubs, The Queen of Hearts, and The Jack of Diamonds.  In each deck (aside from The Jokers), the cards of the chosen suit have special abilities which can turn the tide of battle, whereas the remaining three suits are very nearly standard playing cards (with one exception, to be explained below).  The decks do have different themes, meaning that players have to treat them very differently if they want to pull off effective combos, but still maintaining the balance needed for any non-collectible card game to be competitive and enjoyable.

 

So what's the aim of the game, and how does it actually work?  Well it's time to find out...

 

We paid extra for the limited "Kryptonite-infused" edition.

 

Like most combat-based card games, the aim of Showdown: Icons is to defeat your opponent by reducing their health down to zero.  With the decks being based on poker decks, the life of each player is represented by the deck's four aces, which are removed at the beginning of the game before the decks are shuffled.

Now we were quite impressed at how Wyrd had set up this health system, as at first glance it may seem as though this is gearing up to be a very short-lived game; after all, how tactical can a game be when each player only has four points of health each?  Well each of the aces come with a number of benefits, and these benefits only start to take effect as the players take damage.  This means that the closer you are to defeat, the more formidable opponent you become.  This did remind us of Wyrd's tabletop/board game Puppet Wars, in which player's individual troops became tougher as their army dwindled, and they've succeeded in bringing that mechanic to life once again here.  Some aces allow you to prevent further damage, some to tamper with your opponent's hand, and so on.  It's a system which has left all of our games of Showdown: Icons going right down to the wire, rather than one player ever claiming a sweeping victory over the other.

 

 

The other two cards to be removed from the deck before beginning the game are the Red and Black Jokers.  Again, those familiar with Wyrd will know that they like to attach special functions to the Jokers in their decks, and Showdown: Icons is no exception.  In this instance the Black Joker is a card which players can re-use during any round of combat they wish, whereas the Red Joker effectively represents the player's character themselves, explaining each of their abilities which can trigger at the end of combat, granting bonuses to themselves or penalties to their unfortunate opponent.

 

Once these six cards have been separated from the decks, the remaining 48 cards are shuffled, each player draws a hand of 5 cards, the first player is decided at random (by a good old-fashioned cutting of decks), and the game is ready to begin.

 

The combat system in Showdown: Icons is very simple, but incredibly devious.  Each player (starting with the first player) places a card face-up in the centre of the table.  These cards are the players' Feints.  Once the Feints are played, each player plays a face-down card beside it, and these cards are each player's Strike.  The Strikes are then flipped face-up, the numerical values added to those of the Feints, and then all manner of wonderful things can happen, all depending on the cards' Disciplines...

 

 

Each card in the game has one of three Disciplines, as shown along the short-edge of the card.  These can be Physical, Intellect, or Cunning.  If the Disciplines on the two players Strike cards are different, then the highest total wins the combat for the round, if the two Disciplines are identical, then the player with the lowest total wins the combat.  At this point this may still sound like a game of chance, right?  Well this is where it gets interesting, and turns Showdown: Icons into a game of bluffing and insidious mind-games.  If the Strike and Feint cards of the player who wins the combat are  of the same Discipline, then that Discipline triggers, and the effect on the player's Red Joker card takes place.

For example, in the photo up above showing the Red Joker, the Physical trigger is "Heal one damage", so if that player won the combat for the round with a pair of Physical cards then they get to restore one of their health points.

This leads to very interesting combat rounds, especially when both players are running low on health.  If your opponent plays a Cunning card as a Feint, are they planning to try and activate their Cunning trigger, in which case you may want to play a Cunning card of a lower value to win the combat?  Or are they bluffing to try and get you to play a Cunning card so that they can romp home with a high-value card of another Discipline?  Or are they double-bluffing with every intention of playing that second Cunning card after all?  If you've ever seen the film The Princess Bride then you'll find combat rounds to be comparable to the famous Battle of Wits...

 

"Where was I?" "Australia."

Finally, as mentioned earlier, the chosen suit of each deck also comes with an array of special abilities; Actions, Combats and Reacts.

 

 

Combat cards can usually be played as either Feints or Strikes, granting the player extra bonuses if they manage to win the round.  Actions are played at the beginning of the round, and can bestow all manner of advantages from modifying the effects of Triggers, to altering the face-values of various suits and Disciplines.  Reacts tend to be played after the combat round is over, and can nullify Combat effects or prevent Triggers from going off, so can be used to buy some more precious time to turn the tide of battle.

These cards, really, are where the different decks actually start to come into their own.  Up until this point the decks are very similar, with just minor differences in the Jokers separating them.  With the effect cards, the decks each adopt their own theme, meaning that players will have to adapt their play styles to accommodate them.  The King of Clubs, for example, is largely about restoration - healing damage and returning the player's best discarded cards to their hands.  The Jack of Diamonds is about disrupting your opponent's best-laid plans, allowing you to change your Feint card at the last moment, or even switch yours with your opponent's.

After enough games with each deck, players will inevitably start to favour the theme of a particular deck to suit their play-style, and an encounter between two experience players fielding their preferred decks is certain to be a masterclass in deception and mind-games!

 

And that, ladies and gentlemen, is Showdown: Icons in a nutshell!  The game continues with the first-player role passing back and forth until one player takes a hit to their final ace, granting victory to their opponent.

 

The Good Points

• Showdown: Icons is entirely balanced.  There's no way to embellish the decks, and so it entirely becomes a game of skill.
• As has become Wyrd's habit, the cards are actually made of plastic, so will be able to withstand a tremendous deal of gameplay with very little wear and tear.
• The selection of 5 different decks introduces the variety to the game which would otherwise be denied by its non-collectible nature.
• The health system, wherein a player gets stronger as they take more damage, allows for a competitive game right to the finish.
• It's compact enough to carry around in a shoulder-bag, and quick enough to play opportunistically.

The Bad Points

• Showdown: Icons is quite expensive, considering the fairly basic contents of the box.
• It is very much a game of bluffing and mind-games, so if you're not a fan of trying to get into the head of your opponent then you probably won't enjoy this.
• Sometimes the combat rounds can become quite complex, and at the end of the turn it's easy to forget who was the first player.  The addition to the box of a First Player token would have solved this basic issue.
• Due to the workings of the game, Showdown: Icons is impossible to play with more than 2 players.

 

 Recommended Number of Players: 2 (no other option)

Showdown: Icons can only be played with 2 players.  We did try to work out a way to have a 3 player free-for-all, but bearing in mind the way the Disciplines determine whether the highest or lowest total wins the combat, the system simply wouldn't work.  Of course if anyone does figure out a way to play this game with more than 2 players whilst retaining its balance then we'd love to hear about how you did it!

 

Average Game Time: 15-20 minutes

Showdown: Icons is a bit of an odd one, in that it has the short play time typically associated with casual party games, but requires some deep, thoughtful gameplay.  It's nice that it takes such a short amount of time, however, as it allows players to squeeze in a quick opportunistic game, or play best-of-three matches to extend the experience.

 

Replayability: Medium

Whilst it is a fairly neat little game, there isn't a great deal to extend Showdown: Icons' shelf-life.  It's short play time will make it a good start-up game for gaming groups, and the 5 decks give it a degree of variety, but there's not a great deal to make it stand the test of time.

 

The Future: Dim

From the looks of it, Showdown: Icons appears to be a standalone game.  A balanced game like this certainly isn't one which would benefit from booster packs or anything similar, but at the same time it does leave it with a very limited lifespan.  Once it reaches the point where all players in a gaming group are no longer getting a kick out of playing the game, there won't be anything new with which to refresh it.

 

Price: £30

It's hard to gauge whether you're getting good value for money with Showdown: Icons.  When broken down, it's only £6 per deck, which doesn't seem quite so bad, but when looking at the big picture it feels like a lot of buck is granting you very little bang.  If bluffing games are your thing, however, and you do with to invest, then it should be easily available, being a new release from one of the larger tabletop gaming companies.

 

 

 

OVERALL SCORE: 7/10

 

Tea consumed during this review: Twinings Every Day/Green Tea Blend with milk and 2 sweeteners.  Brew rating: 10/10.

 

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Diary of a Roleplay Beginner #2: First Session

So just a few short days ago I was talking about how excited/nervous I was about my imminent first roleplay session, and how I'd been throwing myself full-on into the world of Privateer Press' Iron Kingdoms system.  Now I can say I've sat through my first session, and can ramble needlessly about how it felt.

Even though I'd watched the first session of this new campaign, and had thoroughly studied the core rulebook to give myself all of the necessary background, I still felt nervous sitting down amongst the other party members and taking on the role of my Gun Mage for the first time.  I knew every facet of his history and  how he'd react to people from various walks of life, but still actually giving voice to the guy seemed more than a little intimidating.
The session kicked off with a little bit of a "here's your present situation" summary following the events of the previous session, at the end of which the party was set an investigative task and introduced to the two men who'd be assisting them: myself, and another newcomer to the group.  And so I had to take it from there!

From what I gathered whilst spectating, adopting a voice for your character isn't an essential part of roleplay, but it is a nice way of giving your character an extra bit of flavour.  With my character being more than a little hard-nosed and pragmatic, I'd decided to give him a sort of Russel Crowe-Gladiator voice.  The first time I opened my mouth to speak I have to admit I felt a bit daft, but as soon as I started talking and wasn't met with fits of laughter or eye-rolling from the rest of the group I immediately started to feel more comfortable and could happily throw myself into the character.
And I think this was something I hadn't been able to fully appreciate when looking in from the outside; at the end of the day we were all there to have fun and lose ourselves in another world as a completely different person.  Making fun of another player or the way they portray their character would achieve nothing aside from spoiling that player's experience and creating a negative overall atmosphere.
Of course that doesn't mean that all of the characters have to be nice to one another, and it's a lot of fun when two characters butt heads!  By the end of my first session I'd managed to rub up one character the wrong way with my gruff nature, but found my way into the good books of another for the exact same reason.

But I'm getting ahead of myself.  The session turned out to be a purely narrative one, which I was more than happy with as it gave me a chance to practice the social aspect of the game before having to get to grips with the combat system.  An arcanist - who happened to be a close friend of our employer - had gone missing a few days ago, and it was our job to scour the town and gather clues.  The GM presented us with a list of locations we could visit, and let us make up our own minds as to where to investigate first.
The party began to split up, and so, still a little unsure of myself, I joined the largest group and followed them to the Arcanists' Guild, and it was here that my confidence was able to start growing.  We entered the guild as a party of 5, so I was able to mill around in the background a bit, but it turned out that only arcanists could visit the missing man's quarters, which narrowed the party down to myself and one other, forcing me to start taking a more active role in the hunt for clues.  By the time we'd well and truly looted his room I was feeling more confident, and headed out on my own to see where the trail lead me.
I really enjoyed this gradual step-up system, going from being part of a crowd, to one of a pair, to striking out solo.  With so many characters in our party I had plenty of time to think about my next avenue of investigation whilst the GM was doing the rounds with the others, meaning I never felt pressured or as though the spotlight was particularly on me, and I quite happily hopped around town following the trail of breadcrumbs our GM had laid out for us.

There were some interesting events throughout the session, with my false cover almost getting blown during one part of my investigation, another one of our party almost starting a bar fight and laying a criminal low with a bottle and tray, and an exciting climax to the evening when our resident gambling addict found his way to a gambling den and had us all cheering on his frantic dice-rolling!

So my overall first RP experience was definitely a positive one.  I stuttered and stumbled at a few points, but the rest of our group was patient with me and the GM was happy to do another round of the table and let me recompose myself.  I'm still nervous about going into my first combat experience, which seems to be all set up for the next session, but I now feel comfortable about taking parts in the more narrative aspects of the game.  All I can say now is roll on session #2!